Like a open­source Che Guevara, Miss Cárdenas likes to embrace sharing and coding for a better future. Her music combines elegance and flair with guts, resulting in warm sonic adventures. Supercollider is the weapon of choice.

One of the founding fathers of the live­coding scene and the initiator of Algorave. Created his own mini language called 'Tidal', embedded in the Haskell pure functional programming language. His Algorave sets remind of Happy Hardcore, very danceable and upbeat.

Not beat­tracking but data­tracking. Aiming for a real connection between the senses through a digital alliance between Bohrbug and Kaosbeat. Where rhythm and sound influences image generation and image manipulation influences the music. Exploring this challenge with Overtone and Quil.

An insiders secret of the live­coding scene, she is one to keep an eye on. Deep and beautiful rhythmicaly­driven evolving soundscapes. Supercollider in full effect.

Like the soundtrack for a next century Manga, Renick Bell's live­coding sessions sounds like a post­apocalyptical sonic spacewar.Dark and intense, with a glance of nostalgia, reminding of an abandoned arcadehall on fire.

Another early bird of the live­coding scene. The creator of Ixi lang, a live coding environment that presents a high entry­level control over synth definitions and samples in Supercollider. What happens if Bill Laswell meets up with Keith Jarrett in a Cyberpunk band?